07/13/2016
I used to work across from this building, and prior to its renovation/takeover by a different corporate owner, the lobby was home/host to a great masterwork of American art, America Today by Thomas Hart Benton. That mural has been donated to the Met, where you now have* to pay extortionate entrance fees to see it.
As a replacement, the public gets to see this bland, anodyne piece of corporate nothingness.

*the Met is a public institution and as such has “suggested” entrance fees, so some people get bold and only pay a penny. Most people do not realize that you can actually do this and take the prices at face value. There was actually a lawsuit over how they worded their signs and “enforced” payment – which the Met lost.
07/3/2016
Glass curtain buildings are boring and have no particularly redeeming architectural value from the outside*, save for one thing – their ability to reflect other things that are more beautiful.
* the relatively bright, column-less spaces can be nice to work in, given modern construction techniques, unless someone gets the bright idea for an open office plan.
07/2/2016
public art in union square. From The NYC Parks Department description:
Lionel Smit,MORPHOUS
June 13, 2016 to April 30, 2017
Union Square Park, Manhattan
Description:
MORPHOUS is an exploration of hybrid identity and its ever-changing nature within South Africa’s social landscape. This bronze sculpture, featuring the conjoined heads of two outward-gazing young women, evokes the question of time, of past and future, and a societal commentary without judgment. The “double-vision” portrayed in this work is simultaneously a foretelling of things to come and an acknowledgement of what has already passed. The figures are charged with an emotive and gestural energy, a hallmark of Smit’s evocative work. The spontaneous gestures in his three dimensional figural forms animate the beauty and grace of the faces he sees in the neighborhoods around his studio. The scale of his work invokes both a sense of celebration and power.
This is the South African artist’s first public art installation in the United States, and will be complemented by an exhibition of his work at CYNTHIA-REEVES’ gallery in North Adams, MA in July and August 2016. This exhibition is presented by CYNTHIA-REEVES , Union Square Partnership , and Art New York/Art Miami .
07/1/2016
Closeup detail of railing to stairs on a brownstone.
06/23/2016
New York City fire houses, even the relatively nondescript ones, still have the best signage. One of my favorite podcasts is 99 percent invisible, which discusses the hidden design of everyday things. I don’t think they’ve addressed this specific item (yet!), but it really does make a difference when people put thought and care to even the municipal backdrop of our everyday lives.
06/22/2016
Subway traffic signal. We are not exactly using cutting edge technology in our 100+ year-old system for moving millions of people around on a daily basis. I marvel daily at our ability to function.
06/22/2016
Classic window signage down on Houston street. From back when it was essential to advertise your air conditioning.
06/20/2016
I’m going to try to upload individual or small sets of photos on a more frequent basis. I’ve been carrying the new camera almost everywhere, and if I wait until I get around to editing large batches, I’ll never catch up. So while this isn’t approaching anything like a 365 project, there will (at least until I inevitably get bored) be more posts with fewer pictures.
Taken down on Houston Street. I cycle in the city, but generally avoid traffic nightmares like this because I have a well-developed sense of self-preservation.